The first HDRi skydome is available on 3docean. It's a clear blue sky with just a few clouds. I'm hoping to be able to offer packs at a discounted price as well, but that's dependent on 3docean, so for now it's just going to be individually. Feel free to let me know what type of skies you would like to see next, the image below is just a selection from many!
Decided to finally start selling 3d models and HDR images. First up is my model of a chair by Paulo Mendes da Rocha. It's such a cool chair, I really should use it more often in my own renders! If I sell enough of these I might be able to afford a real one.
I decided to go with 3DOcean.net as they seem to be more focused towards quality than other 3d assets sites. Here's the link to my model: Paulistano on 3DOcean.net
Slideshow of a recently completed project for Lynas Architecture in Hackney, London.
--------------------------------------------------------------------------------------------------------------------------------------------------- http://www.thirdseventh-book.com/ --------------------------------------------------------------------------------------------------------------------------------------------------- "From Bits To The Lens" Book -- Beautiful 120+ hires imagery artwork, philosophy and processes behind the shortfilm in a 232 pages large format book. Help funding my next shortfilm through the book. All the book sales incomings will be destined to financing it. --------------------------------------------------------------------------------------------------------------------------------------------------- .Fullscreen it, please. A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces. Sometimes in an abstract way. Sometimes surreal. Credits: CG |Modelling - Texturing - Illumination - Rendering| Alex Roman POST |Postproduction & Editing| Alex Roman MUSIC Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP) Sound Design by Alex Roman Based on original scores by: .Michael Laurence Edward Nyman. (The Departure) .Charles-Camille Saint-Saëns. (Le Carnaval des animaux) Directed by Alex Roman Done with 3dsmax, Vray, AfterEffects and Premiere.
If you haven't seen it already, make sure you check out Alex Roman's short film The Third & The Seventh. Truly inspirational, and an incredible piece of work by just one person. His passion for architecture and photography shines through.
I'm on the judging panel for an exciting new architectural visualisation challenge on Ronen Bekerman's blog. The challenge will be to render a house design by Dunsky Kornhauser Architects and runs from the 15 Dec 2009 to 15 March 2010. Ronen has managed to assemble a really impressive list of prizes. Looking forward to seeing the entries!
If you haven't already bookmarked Ronen's site then make sure you pay him a visit, so many good tips and tutorials.
A project from earlier this year that I reworked a bit. Added some more props and lighting and other things I didn't get time to do previously. The photos are some of my favourite ones from my Dad's portfolio, and winter themed as the first snow has just started to fall here in Sweden. As usual, the renders are more or less as they were directly from vray, just added some glows to the lights.
A tutorial on making leaf materials for 3d trees, in this case a sugar maple (in autumn).
Firstly, some observations on opacity mapped leaves vs. geometry leaves. As you can see in the image above, the images in this post were made using opacity mapped leaves. After some tests on my farnsworth house project, I have come to the conclusion that it is quicker in most cases to use opacity mapped leaves. Its true that in simple scenes trees with geometry leaves may render quicker as VRay doesnt have to calculate the opacity of thousands of leaves, but in dealing with complex scenes with millions of polygons the advantage in using (a lot) less RAM is huge. The processes involved in swapping opacity mapped plates for geometry are also very long winded and very tedious!
Exporting from Onyxtree. I went with 4 polygons per leaf so that the leaves aren't just flat. Remember to set the dimensions you want the individual leaves, and change the units when you export. You can also make it export 3 different leaf IDs with varying sizes. I normally export as a .obj file.
Opacity mapping. It's important to make sure the opacity map is just pure black or white, with a sharp edge. The opacity map I used can be found here (its not a great example!). You should also turn off filtering in the bitmap loader options (screenshot).
As imported to 3dsmax and given grey materials.
VRay2sidedMtl. The vray 2 sided material works best with geometry that has no thickness, which is what onyxtree outputs. It is a very quick way of generating a SSS (sub-surface scattering, think candle wax, skin, milk etc) type look. The image below is rendered using a vray2sidedmtl on all leaves with grey submaterials and a hand drawn image for the vein skeleton.
Front material. The front side material is a basic vraymaterial with a diffuse map and a reflection map. Click here for front vray material set up. The color correction map is to produce slightly different hues of leaf for each of the 3 sub leaf types (you should have got a mult-subobject material when you imported the .obj file). I usually make the first leaf and then copy and paste it to the 2nd and 3rd and just change the hue value slightly. The diffuse map looks like this, and the reflection map is a b&w copy with levels adjusted to make it more contrasty.
Render showing front leaf material on both sides with no transparency.
Back material. The back material is a copy of the front material but with a different diffuse bitmap and not quite as reflective. Note that I overlaid the veins skeleton jpg on top in photoshop as well. (without it, the veins looked too light when viewed from the underside as they took 100% of the lighter back material)
Render showing 2sided material with correct front/back materials but no transparency.
Finished result Click image for 800px version. Rendered using vrayphysicalsky and sun, and a vrayphysicalcamera.
A detailed Sketchup model with low res textures. Go to pushpullbar for more images and to download.
UPDATE: new direct download link
by Mies van der Rohe
Something I've been working on for the best part of the last year (I previously blogged about the trees in... May, and the grass even before that!). Unfortunately paid work keeps getting in the way, I'm yet to figure out a solution to that problem.
I'm planning a tutorial on how I did the fog, (another) grass tutorial on how I did the mowed lawn and a making-of post summing up the whole process. Can also do one on optimizing the trees and making the tree materials if there is interest. The sketchup model of the house itself will be available on pushpullbar - details to follow in a separate post.
Technical Info:
A quick tutorial on adding dirt to specific materials in Vray. A very useful application of the vraydirt shader in Vray is to make materials look dirty/weathered. Used in it's basic form, with default settings, vraydirt can be used to add a general darkening around edges/corners in your 3d model. It can also be modified to affect only areas directly below 3d features.
a - Shows vraydirt using it's default settings (dirt equal on all sides) b - Shows vraydirt using settings to force the dirt to work only in a downward direction c - As b, but with 'invert normal' ticked d - b and c used within a vraycomptex map, set to minimum
By experimenting with the distribution, falloff and z-bias values, I managed to get the downward effect I was looking for (exact settings in screen grab below). I then combine 2 versions of the vraydirt map inside a vraycomptex map. The first version is for concave creases, the other for convex creases by ticking 'invert normal'. The vraycomptex map is set to minimum so that it combines the two maps by always using the darkest rgb value.
Above is a render with a concrete material demonstrating the effect. In this case, the occluded map is the same as the unoccluded map but darker and with a slight rusty hue (achieved using a color correction map).
The diagram below shows how the material is made up, and shows the values I used:
To take this a step further, you could additionally add a map to vary the radius of the vraydirt effect. (Note that the value I used for radius is in mm)
And finally an animated gif showing renders with and without the vraydirt:
